On November 18th twelve Dupont members attended a Dupont Art Club workshop taught by Seana Mallen on Geli Pad Art. She introduced the supplies being used including two sizes of geli pads, acrylic paints, rollers, and many types of papers including old maps, music, and tissues. She also showed us how to make a concertina … Read more
Watercolour Landscape Techniques Our instructor Caroline Marsland leads us through a demo every other Wednesday at the Dupont Art Club. This week she gave a demonstration on how to paint a loose, different landscape. Materials used: Watercolour paper, salt, clingfilm, candle Wax, scratching materials, various paintbrushes. She started our drawing out white areas with candle … Read more
Charcoal as a medium lends itself particularly well to moody urban landscapes. Caroline decided to draw this snowy street scene Using Windsor and Newton charcoal, which is a good quality with velvety texture, Caroline began by blocking in the shapes of the buildings. She then lightly rubbed over the charcoal to smooth it. She applied … Read more
Start out by choosing your main object, then you can add interest by selecting additional objects which compliment this. It’s probably best to have a theme, which can be anything – the possibilities are endless. You should use an odd number of objects as this is more appealing than an even number. Make sure you … Read more
It is a good idea to try this as an exercise to change the way that you look at things. By working upside down you draw only the shapes you can see and not what you think should be there. Caroline started by using this photograph pinned upside down You can, if you prefer, simplify … Read more
FLAT BRUSHES These can be used for a myriad of different effects. They are especially useful for painting buildings or any other subject which has straight edges, and are economical with the paint as often only one stroke is needed. A BRIGHT is a shorter and stiffer version of a FLAT which will give you … Read more
Caroline chose the two colours of sienna and ultramarine blue as they can be mixed in many different ways to give you both cool and warm colours. The group selected this photo for Caroline to use as her inspiration. When starting a watercolour it is best to work from light to dark. Looking at … Read more
Caroline suggested that to get inspiration for your card it is a good idea to have a look at cards from earlier years. Christmas cards have evolved in their design from the Victorian age to the present day. We looked at several different cards from the Art Deco to the war years , here are … Read more
Keith started by mapping out the outlines of fuchsias in a vase using a 4H pencil. To create more interest in shapes and colour he added in two butterflies. He then carefully painted in the background by filling in the negative spaces between the flowers and leaves. Remember that the shapes created by the negative … Read more
Caroline introduced a session on oil pastels by saying that it is wise to use the best quality pastels. The ones she had were Sennelier (£3.50 a stick, or can be bought in boxes). For paper, a rough surface is needed and she was using a brown paper scrapbook (Seawhites).Caroline had a photo portrait of … Read more