Watercolour Landscape Techniques

Watercolour Landscape Techniques Our instructor Caroline Marsland leads us through a demo every other Wednesday at the Dupont Art Club. This week she gave a demonstration on how to paint a loose, different landscape. Materials used: Watercolour paper, salt, clingfilm, candle Wax, scratching materials, various paintbrushes. She started our drawing out white areas with candle … Read more

Charcoal drawing by Caroline Marsden 11/03/20

Charcoal as a medium lends itself particularly well to moody urban landscapes. Caroline decided to draw this snowy street scene Using Windsor and Newton charcoal, which is a good quality with velvety texture, Caroline began by blocking in the shapes of the buildings. She then lightly rubbed over the charcoal to smooth it. She applied … Read more

Still Life by Caroline Marsden

Start out by choosing your main object, then you can add interest by selecting additional objects which compliment this. It’s probably best to have a theme, which can be anything  – the possibilities are endless. You should use an odd number of objects as this is more appealing than an even number. Make sure you … Read more

Brush strokes demo by Caroline Marsden

FLAT BRUSHES These can be used for a myriad of different effects. They are especially useful for painting buildings or any other subject which has straight edges, and are economical with the paint as often only one stroke is needed. A BRIGHT is a shorter and stiffer version of a FLAT which will give you … Read more

A winter scene in watercolour using only Sienna and Ultra Marine 11/12/19

Caroline chose the two colours of sienna and ultramarine blue as they can be mixed in many different ways to give you both cool and warm colours. The group selected this photo for Caroline to use as her inspiration.   When starting a watercolour it is best to work from light to dark. Looking  at … Read more

Importance of negative spaces by Keith Manning Kennedy

Keith started by mapping out the outlines of fuchsias  in a vase using a 4H pencil. To create more interest in shapes and colour he added in two butterflies. He then carefully painted in the background by filling in the negative spaces between the flowers and leaves. Remember that the shapes created  by the negative … Read more

PAINTING ROTHKO AND COLOUR THEORY 2/10/2019

Mark Rothko. B 1903 D. 1970 Markus Rothkovitz was a Latvian of Jewish descent. His family emigrated from persecution and settled in Oregon in 1913, where he started painting. In 1920 he moved to the New York Art School where he became anti-establishment and was influenced by Klee, Cezanne and Picasso. Rothko taught children for … Read more