Judy Alexander Yesterday I had the pleasure of stewarding at the Scottish Diaspora Tapestry being exhibited at the Westminster Hall in London. This spectacular collection of embroidered panels from people of global Scottish descent was amazing in it’s blending of colours, line, and design. Many people commented on the use of similar colours and drawing style. This … Read more
A talk by Caroline Marsland. There is no limit time-wise to finishing a painting. The examples by Turner of a ship emerging from fog and a train emerging from steam capture the mood effectively yet have little detail. Turner stopped painting as soon as the work said all he wanted it to say. Several paintings … Read more
Caroline gave a very interesting demonstration of the use of perspective last week. There was a detailed and fast commentary to accompany the diagrams, and for that reason, this report has only shots of the demo. Caroline has asked that, in the interests of clarity, anyone who would like to have any further explanation should … Read more
Life Drawing On March 1st Dupont art instructor, Caroline Marsland gave us a lecture and demonstration on life drawing. She started out by advising us that we need to decide at the beginning what we want to say in the picture. We can be accurate, want to accentuate certain features, show certain emotions, etc. She … Read more
In discussing the differences between painting young and old faces, Caroline began with a very helpful hint: use wet in wet for young smooth faces, wash over first and drop in the colour, giving the bloom on the cheeks. The model this week was a Cuban woman of some years, accompanied by her cigar. Starting … Read more
Caroline Marsland demonstrated the use of mixed media to the Dupont Art Club class on January 18th, 2017 It is important to chose the media to match the painting. Layering is the key to mixed media. She pointed out that almost anything can be used in a this type of painting. Suggestions for the first … Read more
In this very interesting demonstration, Caroline started with a pale green wash, onto which she loosely sketched the shape of the straight sided bottle. Then she put in a white background around the shape. Using a flat brush she painted in the four corners and the base of the bottle, then the round neck. A … Read more
My thanks to Lesley McBride for again supplying notes and images for this talk. Caroline began by discussing the ways in which book covers are designed nowadays. Everyone uses a computer, employing either GIMP or Photoshop, which are both compatible with Mac and PCs , but GIMP is free. The work is done in layers: … Read more
Caroline introduced a number of ways to produce washes, using both a paintbrush and other materials to get varied effects. The first was with an upright board and brush: Wet on dry Wet on wet Graded Wet on dry: using a flat 1” brush and dark paint, not too water brush once across and drag … Read more
Many thanks to Lesley McBride, who kindly provided the photos and commentary for this demo. The still life Carolyn selected to work from was this: Artists often pick out one aspect of the still life. Difficult to know where to start? Consider: Look at line Look at colours: are they warm or cool? Colours talk to … Read more