Using a Grid for Complex Subjects

Lucy was our instructor for the Wednesday class and took us through the use of grids when drawing accurately. Anytime you want to draw something that requires accuracy such as a portrait, pet, vehicle, a complex still life, etc. we may wish to use the grid method. It starts with drawing a grid of squares … Read more

Pen and Wash demonstration by Caroline Marsland 3rd April 2019

When selecting a paper for pen and wash, a smooth hot pressed watercolour paper is best, as rough watercolour paper catches on the pen. Caroline chose to work with India ink, you can also use Quink.  She doesn’t recommend hobby craft ink, as it can wash off when your wash is applied, whereas the India … Read more

OIL PASTELS DEMO by Caroline Marsland

Caroline brought  oil pastels by Sennelier, which are an excellent choice as they are pigment rich and a delight to work with. Cheaper brands such as W. H. Smith are not so good as they are all wax and hardly any pigment. Sugar paper is a good alternative to the preferred pastel paper and is … Read more

Still Life in Charcoal Demo by Caroline Marsland 6th. March 19

Before starting the drawing, Caroline gave a few tips on working in charcoal:   Sandpaper the paper for dramatic marks   Use good textured paper   Think … Where are my darkest shadows going to be?   WORK BIG! Blocking in very lightly, Caroline sketched out the group of bottles. Using light strokes to plot … Read more

Watercolour Painting of Patterned Fabric

Caroline Marsland took the Wednesday Dupont class through how to watercolour paint a patterned fabric on paper. We were not painting the fabric.  She started off by lightly drawing the general shape of the fabric lightly with pencil. She then painted in the the colour of the fabric first with all of the shadows that are … Read more