OIL PASTELS DEMO by Caroline Marsland

Caroline brought  oil pastels by Sennelier, which are an excellent choice as they are pigment rich and a delight to work with. Cheaper brands such as W. H. Smith are not so good as they are all wax and hardly any pigment.

Sugar paper is a good alternative to the preferred pastel paper and is cheaper. The most important thing is to use a paper with a good tooth to hold the pastel.

Selecting a colour that is closest to the mug to be painted, Caroline started by drawing a central vertical line to aid in the drawing of the mug. She then used good observation, not forgetting negative spaces, to make an outline of the mug. She squinted to see the reflected colours in the mug and then blocked these in. You can mix the colours on the paper, and then these can be deepened or lightened by layering until the desired hue is achieved. You may like to use your fingers to blend.

Caroline then worked the bottom half of the mug, building up layers . She made the inside of mug totally black as it appeared and then using the edge of the white pastel she put in the highlights round the rim and on the handle. She also used a torchon to make additional highlights and other small marks of colour. You can take off marks made with oil pastel using this tool, unlike chalk pastels (unless you scrape them off!). Using this tool she pulled out nice shapes in the reflected colours .

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Charcoal portraits

The best charcoal to use is Windsor and Newton as it has good deep coverage and is just lovely to use.

Always break the stick into a smaller piece and then you can use it side on or using a corner.

You should use a rough paper with a tooth to give the charcoal something to catch on. Pastel paper is ideal for this.

When tackling a charcoal portrait, you should first decide which method you want to use. Caroline demonstrated both using shadows to define your shapes, and later drafting out your image using the charcoal a bit like a pencil.

She started by covering the entire paper with charcoal lightly, then she put in all the large shadow areas like the eye sockets and under the nose and the outline of the head.

Next she used a rubber  to erase all the lighter areas of the face and eyes and put in all the highlights. She frequently rubbed it on a piece of sand paper to clean the rubber. She used careful observation to ensure that the facial features were correctly sized and positioned, taking note of measurements of spaces between nose and mouth, eyes and nose etc. It’s just a matter of making continual adjustments until you are happy with the end result . Remember you can rub out and replace the charcoal as often as needed. You may prefer to use a charcoal pencil for the finer details, Caroline herself just used the corner of the stick of charcoal. You can also use your fingers to blend it.

The little girl was done using the drawing technique with the corner of the charcoal and then blending with the fingers.

 

 

 

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Painting a still life in acrylic by Caroline Marsden

When tackling a complex  subject like a vase of flowers, it’s a good idea to draw the outline of the entire thing using a dark colour.

Start the outline by placing your main flowers ( the ones that are wholly visible ) first  and then moving on to the partially visible ones, moving round and outwards till you have captured everything.

Now you can move on to painting the flowers. Start by painting the background, then the rearmost  flowers, so that you can paint the main subject of the wholly visible flowers on top of the background ones.

Caroline advised buying a high quality yellow paint as it often is very difficult to get a good mix using the cheaper ones with less pigment. She mixed three shades of yellow using lemon yellow, yellow ochre and white. Adding the white makes the colour more opaque and also stops it becoming too acid. You can also add a tiny bit of red , but be careful not to add too much.

Using a pointed round brush you can make a nice petal shape. Start by putting in the darker areas and then paint on your petals on top. Concentrate on darks and lights to bring out the shapes of the petals. Next,use a smaller brush to add lots of bright tips to represent the tops of the petals, also using this brush to put in more darker shades to further define your petals.

For the red flower, first put in the centre in a bright phthalo green. Then, using a rigger, go over with small dots of yellow, finishing off with the rigger to put in a dark shadow under the dots. Paint on the red petals and then add white on top where you see the lighter colour.

Then paint on your darker red and finally, once it’s dry, paint over with the first red, and the white areas will now pop! For the leaves and stems use phthalo green with red to get a dark green.

 

 

 

 

 

 

 

 

 

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2018 AGM

We had an excellent attendance for our AGM with over 30 members present.

Various topics were discussed and decisions taken which will be fully covered in the minutes to be issued later.

A Bring and Buy table afforded members a very good selection of books and art supplies at a nominal price. This was followed by tea, cakes and socialising.

Our next group activity will be in December at our lively Christmas Party, which will be held on Thursday 13th of December at the Bridge Club on Third Avenue .

 

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Dupont Art Annual Exhibition

This year was a successful year for the Dupont Art Club’s annual art exhibition. 

We saw close to 500 people attend with over £1000.00 in sales. We were pleased with these numbers considering the poor weather for half of the days. This year we set up a separate area for our gifts and cards which proved very popular and successful with sales better then ever. 

There were many people voicing an interest in joining this September which would be lovely. We also had a delightful lady sit down at the piano and give a impromptu recital. We captured her pictured with John Hird enjoying the music.

The  peoples choice award was won by Pam Monk. This beautiful oil painting was called ‘the Sting’. The runner up was Carol Cleveland with her painting of Prince. 

All in all, it was a successful exhibition with many people commenting on how professional the paintings were painted and exhibited. 

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Spreading a little Love With Art

Spreading a little love with ART

Recently my friend and fellow artist Tina Stiles arranged to visit the Dane seniors home in Hove, UK to teach art.This was initiated by the Brighton and Hove Arts Council who arrange for outreach to the community to enrich the lives of others through having some of their many member organizations volunteer to do things like this. Tina and I are members of the Dupont Art Club.
We worked with a half dozen people who made and decorated their own cards to be sent to love ones. During this time there was laughter and comradely amongst the people with all of them able to complete at least two cards each. They were very happy to have people take the time to work and interact with them.
We each have something to offer others be it cheerful conversation, company or teaching a little bit of art. With art, people don’t have to speak if they don’t wish to and can communicate through their art. They just immerse the themselves in a relaxing activity.
Although we were the ones to give of our time, we were all the richer for this with feelings of giving a little of our skills to enrich the lives of others.

 

 

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