art Demonstrations

  The use of  glazes over a black and white portrait painting  gives a different glowing result. Caroline had a photograph of a young person and had painted it in black, white and greys to start with.  She pointed out that it is vital to get tonal values set first. Working from light to dark, … Read more

Thanks go to Lesley McBride, who recorded Caroline’s talk, and to Judy Alexander for the images. Caroline Marsland’s talk today was especially helpful, with the Club’s upcoming exhibition in August now only weeks away. Some valuable advice about choice of frames and examples of different effects will be valuable to those who are putting work … Read more

Caroline began her demonstration with some points to consider before starting an open air painting session. Reconnoitre before choosing a site. Are there a lot of possibly intrusive people around? Consider the weight of your equipment. A half-size easel will ease the load, as you may have to climb for a better vantage point Do … Read more

The Bauhaus (trans. School of Building) was founded in Weimar in 1919 by Walter Gropius, who was very interested in manufacturing combined with art. It was created as a centre for all arts.  The Arts & Crafts movement was a big influence, as, under William Morris, it espoused the idea of functionality and beauty. After … Read more

We were treated to a very comprehensive and helpful talk and demonstration on composition by Caroline, in which she outlined how to plan a picture, illustrated by examples by well-known artists from different schools. There followed two examples of assembling a painting, during which the choices and various techniques that can be used were demonstrated. … Read more

On the 24th May Caroline gave us a talk and demonstration on “Pop Art”. She started by telling us that although we associate pop art with the 50’s and 60’s, it emerged as early as the 1920’s. Artists were reacting against traditional movements typical of the Victorian era as well as the upheaval of WW1. … Read more

We were very fortunate to have Polly Raynes demonstrate her methods of using watercolours for the club. After drawing an outline of a most attractive still life, Polly began by saying that sometimes we need to put space between ourselves and the image. Also, not to worry too much about colours running. Just keep an … Read more

A talk by Caroline Marsland. There is no limit time-wise to finishing a painting. The examples by Turner of a ship emerging from fog and a train emerging from steam capture the mood effectively yet have little detail.  Turner stopped painting as soon as the work said all he wanted it to say. Several paintings … Read more