Dupont Video Workshops

Our two excellent instructors, Lucy Parker and Caroline Marsland are continuing to educate us through Dupont’s You Tube workshops until the end of October! This is an excellent way to keep your painting skills up.

Please click on the link below and start painting.

Dupont Video Workshops 

If you have any comments or would like advice, please contact the tutor

Lucy Parker lucy@lbparker.com

Caroline Marsland caroline.marsland@gmail.com

 

 

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DUPONT ART CLUB EXHIBITION WINNERS

The Winner of the Dupont Art Club’s 2020 on line Art Exhibition is Natasha Owen for her mixed media painting Foamy

Runner up was Victor Perkins for his Acrylic painting Beckets Mate

Second Runner up was Wendy Webb for her pastel painting Teddy

Congratulations to each of them and thank you to the hundreds of viewers who cast votes for their favourite painting in this years Annual Dupont Art Exhibition.

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Dupont Art Club Exhibition Results

Thank you to the hundreds of viewers who cast votes for their favourite painting in this year’s Annual Art Exhibition which took place on line. We are proud to announce the winner and runners up.

Winner: Natasha Owen for Foamy, with her mixed media. painting. Natasha wins a bottle of champagne and the Dupont cup for a year.

The Runner Up is Victor Perkins for Beckets’s Mate, with his acrylic painting. Victor wins a bottle of wine and a certificate

 

The second Runner-up is Wendy Webb for Teddy, with her pastel painting. Wendy wins a bottle of wine and a certificate.

Congratulations to all prize winners. The competition and exhibition have been a resounding success. We thank everyone who took part, entering their work or voting.

All the pictures will now be transferred to the Gallery Page of the website. Anyone who would like to purchase a piece of art can send an email to dupontartclub@gmail.com with their contact details and they will be put in contact with the artist.

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DUPONT VIDEO WORKSHOPS

 

DUPONT VIDEO WORKSHOPS

As sessions at Dupont have been suspended we have asked our two Tutors to design and produce video art lessons.

We have established a Dupont YouTube page so we can post the videos where they can easily be seen.

You can watch them right through or just look at part each day.

Each video has a title so you can select the video you want to watch.

New videos will be put on our YouTube page over the next few weeks.

So please keep checking

Please click on the link below and start painting.

Dupont Video Workshops

 

If you have any comments or would like advice please contact the Tutor

Lucy Parker lucy@lbparker.com

Caroline Marsland  caroline.marsland@gmail.com

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Dupont to Temporarily Close and go ONLINE!

We have been reading the Government instructions and recommendation regarding Covid-19 and the actions organizations should take. Having listened also to comments from members, we have decided the time has come to close the club with immediate effect.

We do this reluctantly as we know many members see their time at Dupont as an important part of their week.

Not knowing how long the situation will last, and because we want to stay in touch with our members, we are looking at setting up “Dupont Art On-line” using our website. Our tutors are working on programmes and demonstrations which will be available to members, providing an ongoing link with Dupont. As soon as we have more information we will be in touch.

In the meantime, check out our posts
below from Carolyn’s demos and have a little practice with them.

Thank you for your support, please stay safe during this very difficult time.

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Charcoal drawing by Caroline Marsden 11/03/20

Charcoal as a medium lends itself particularly well to moody urban landscapes.

Caroline decided to draw this snowy street scene

Using Windsor and Newton charcoal, which is a good quality with velvety texture, Caroline began by blocking in the shapes of the buildings. She then lightly rubbed over the charcoal to smooth it.

She applied the charcoal  across the road and then used a rubber to erase the tyre marks and show the snow.

She went over the buildings to outline the edges and put in marks for the windows and the arches. It is important to keep your marks consistent as this will make the drawing harmonious.

She determined that the vanishing point was at the meeting of the two sides of the road in the far distance. She then drew light diagonal lines out  from the vanishing point to the edges of the paper to get the perspective right.

The focal point of the drawing is the lamppost as it is the area of greatest contrast as it stands out against the bright sky.

Caroline went on to use a thinner piece of charcoal for the details. She put in the snow on the bicycle , and on the signs by using the rubber. Remember it’s easy to rub out and redraw any areas you’re unhappy with until you get the desired result.

 

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Still Life by Caroline Marsden

Start out by choosing your main object, then you can add interest by selecting additional objects which compliment this. It’s probably best to have a theme, which can be anything  – the possibilities are endless.

You should use an odd number of objects as this is more appealing than an even number. Make sure you have variety in size and shape as well as colour. When arranging the objects try to ensure that you use the shapes to lead the eye into and around the image.

A square format works well for still life, but depending on your subjects you can also use portrait or landscape.

Good lighting is essential and it may help to position an Anglepoise lamp to get good shadows which create tonal value.

This is the still life Caroline prepared

She started by lightly drawing the main object  in outline which was the large bottle, which she positioned slightly right of centre. Next she drew the small bottle outline, noting its size and shape relative to the first object. Continuing, she added the onion the orange and the bottle top, carefully checking where objects overlapped. The scissors were then drawn in very carefully, as the long point of the blade is used to lead the eye . When trying to place an object at an angle like this, it may help to hold your pencil horizontally  up towards the object and tilt it to the required angle. Then place the pencil at this angle on the paper. Don’t use an eraser if you are unhappy with the positioning, just redraw in the correct position next to it. The danger of using an eraser is that it is easy to redraw the same mistake once you’ve removed the original.

Once all your outlines are in you can go back and enter the details . Finally you put in the shadows. These are very important to add tonal value . The dark line on the scissors leads the eye up to the dark top of the onion and from there up to the hanging leaf. This will create harmony.

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Painting or drawing upside down by Caroline Marsden

It is a good idea to try this as an exercise to change the way that you look at things. By working upside down you draw only the shapes you can see and not what you think should be there.

Caroline started by using this photograph pinned upside down

You can, if you prefer, simplify things by splitting the photograph into four  to help you in positioning.

Using a 7B pencil she first drew an ellipse ( representing the tabletop ). Using this shape to work from, she went on to put in the oblong shape underneath and the black square to the left of that. From there she entered the curves which take the eye down from both the square and the oblong to the bottom. She continued in this way, plotting in the main larger shapes.

After all the main shapes were done she moved on to the more intricate parts. This is done by paying close attention to where things are positioned relative to the other main shapes already done. This really will hone your observational skills.

Finally think about adding tonal value. Caroline used  an 8B pencil to shade in the darkest areas first then the lighter areas using a variety of hatching and crosshatching.

Only when she had finished did she turn the drawing the right way up.

this was a very good representation of the original photograph

 

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BHAC Poster & Flyer Competition

Brighton and Hove Arts Council Art Show

22nd to 25th April 2020

Once again we are looking for two pictures to use in the publicity for the Art Show.

One picture will be used on the oyster and flyer and in our Social media activities, the other on the Private view flyer.

This is a very important part of the  publicity so this year there will be a bottle of champagne for the two artists who are selected. Those will be presented to the Private View.

All Dupont Members are invited to take part.

Pictures should be sent to  Johnhirdbhac@aol.com as soon as possible. The closing date is Monday 3rd February.

The two winners will be selected by the entire Exective Committee of BHAC.This usually takes quite a while, and as everyone seems to have a favourite picture, it usually ends by taking a vote.

We encourage all of our members to get involved with this.

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