Ode to Autumn Watercolour Workshop

Artistic Ode to Autumn – Watercolour Workshop  

Thursday 7th November 2019

This workshop will focus on using watercolour in traditional and contemporary ways, to paint still life with an autumnal flavour.

We will be looking at techniques to paint leaves, twigs, conkers, pumpkins, squashes, berries and all things autumnal.

Also included will be tips on background choices and colour mixing.

There will be six separate still life displays to choose from, but you are welcome to bring your own items if you wish.

Session 1: 10 am – 12 .30

This session will work in traditional painting techniques including layering.

Session 2:   1.30 – 4 pm

This session will be working on loose painting techniques.

Paper will be available to buy from the club stock, but you may bring your own.

Please register on the booking sheet on the notice board at Ventnor.

Fee: £10 per session

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Dupont Exhibition a Success!

Our annual Dupont Art Exhibition was a great success this year. We had 477 people visit with over £1100.00 sold in pictures and over £500 in cards and gifts. This was above previous years totals.

Peoples choice award was awarded to Terri Micklam with her painting ‘Mrs. Cluckworth is watching you”. The runner-up was Diana Fabris with her painting of Dame Judy Dench.

Dupont starts their fall schedule off on Wednesday, September 4th and Thursday Sept 5th. There was much interest in joining the club shown at our exhibition so we hope to see many of you there.

 

 

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Building an Acrylic Painting with Layered Washes

 

Guest instructor, Zara, introduced her favourite method of developing an acrylic painting by using many washes to slowly develop the picture. She said that this meditative process left a painting which was both translucent and in a illustrative painterly way. 

She used two subjects to paint at the same time  so one could dry while the other was being repainted. Before starting, she mixed a small amount of acrylic paint colour in a little water. She had several pots of these mixed colours which she cautioned us to mix well to get rid of the lumps. They had the consistency of creamy milk.. These little containers of watery colours were her paint pallet.

 She then drew the object (apples) and sky landscape first with a light coloured watercolour pencil. She then used a flat brush to paint in the apples and sky with a light colour and let dry. She began to layer the colours to develop each of  the pictures. She followed the shape of the apple with her brush strokes. She warned us that this type of painting could require 20 or more layers so would require patience. She only had time to paint about 3 layers with each picture and said that they would require at least another dozen layers each. 

We began to see the potential after only three layers with some lovely luminous colours being produced. Many of the members used the rest of the afternoon practising this intriguing method of painting with acrylics.

 

 

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The use of a flat brush

Brushes come in various shapes including round, filbert (a semi round top and great for portraiture), fan, angular, and the flat brush. Each has it’s own uses.

Caroline Marsland demonstrated the use of the flat brush at class. These brushes  come in all sizes. She chose a medium and medium small to show how one could complete a landscape painting using this one shaped brush. A flat brush can make thick consistent strokes or when it is turned on it’s side, will give you fine lines. It is great for blocking in solid shapes of color such as in the painting of the building shown in her demo. She also showed it’s use in blocking in color for trees.

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Painting in the style of Monet

Caroline Marsland lead us in a demo of a Monet painting. She pointed out the Impressionists of whom he was most famous, were into seeing colours in their environment. `Monet painted with thick oil paint later stumbling with thick paint when his eyesite become poor. He used small strokes that blend often giving a feeling of a haze. His strokes for the sky were often verticle and the water horizontal. He often used a ground color of blue or cream. He painted at the lighter end of the light-dark scale.

`his brief biography is as follows:

Claude Monet, in full Oscar-Claude Monet, (born November 14, 1840, Paris, France—died December 5, 1926, Giverny), French painter who was the initiator, leader, and unswerving advocate of the Impressionist style. In his mature works, Monet developed his method of producing repeated studies of the same motif in series, changing canvases with the light or as his interest shifted. These series were frequently exhibited in groups—for example, his images of haystacks (1890/91) and the Rouen cathedral (1894). At his home in Giverny, Monet created the water-lily pond that served as inspiration for his last series of paintings. His popularity soared in the second half of the 20th century, when his works traveled the world in museum exhibitions that attracted record-breaking crowds and marketed popular commercial items featuring imagery from his art.

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The Zorn Pallet

On April 24th instructor Lucy Parker gave a brief talk to the Wednesday Dupont class  on the zorn pallet used by many artists She described the colours used as yellow ocher, cad red medium. black and white. She said that in using oils, the dark colors should be laid down first. This was a brief outline of her colour mix. 

 

It is described as follows on line:

“The Zorn palette refers to a palette of colors attributed to the great Swedish artist, Anders Zorn (18 February 1860 – 22 August 1920). It consists of just 4 colors being yellow ochre, ivory black, vermilion and titanium white. Cadmium red light is commonly used in place of vermilion by modern day artists.

Whilst this may seem like an extremely limited range of colors, Zorn demonstrated through his paintings just what is possible with such a limited palette. Here are some of his paintings which appear to utilize the Zorn palette:”

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A successful BHAC Exhibition

A very successful  Brighton and Hove Arts Council Annual Art Exhibition  took place April 10th  -13th. Trustee,  John Hird was quoted as follows;

“Many thanks for your support last week at what turned out to be our best art show.
 
    I have been involved for the last eight years and this year was the most successful.
 
    We had 135 pieces of art work, paintings, embroidery,sculpture,drawings and calligraphy.
 
    We sold 15 works of art and had 1022 visitors, the largest number we have experienced.
 
    Congratulations go to Victor Perkins of Dupont Art Club who won the Peoples Choice Cup for his oil painting  ” Grace “
 
   The runner up was Vanessa Reynolds of Adur Art Collective.
 
   Please pass on our thanks to all the members of your club who took part, I am already looking forward to next year.
 
John Hird
    Trustee
   Brighton & Hove Arts Council
www.bh-arts.org.uk
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