The Zorn Pallet

On April 24th instructor Lucy Parker gave a brief talk to the Wednesday Dupont class  on the zorn pallet used by many artists She described the colours used as yellow ocher, cad red medium. black and white. She said that in using oils, the dark colors should be laid down first. This was a brief outline of her colour mix. 

 

It is described as follows on line:

“The Zorn palette refers to a palette of colors attributed to the great Swedish artist, Anders Zorn (18 February 1860 – 22 August 1920). It consists of just 4 colors being yellow ochre, ivory black, vermilion and titanium white. Cadmium red light is commonly used in place of vermilion by modern day artists.

Whilst this may seem like an extremely limited range of colors, Zorn demonstrated through his paintings just what is possible with such a limited palette. Here are some of his paintings which appear to utilize the Zorn palette:”

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A successful BHAC Exhibition

A very successful  Brighton and Hove Arts Council Annual Art Exhibition  took place April 10th  -13th. Trustee,  John Hird was quoted as follows;

“Many thanks for your support last week at what turned out to be our best art show.
 
    I have been involved for the last eight years and this year was the most successful.
 
    We had 135 pieces of art work, paintings, embroidery,sculpture,drawings and calligraphy.
 
    We sold 15 works of art and had 1022 visitors, the largest number we have experienced.
 
    Congratulations go to Victor Perkins of Dupont Art Club who won the Peoples Choice Cup for his oil painting  ” Grace “
 
   The runner up was Vanessa Reynolds of Adur Art Collective.
 
   Please pass on our thanks to all the members of your club who took part, I am already looking forward to next year.
 
John Hird
    Trustee
   Brighton & Hove Arts Council
www.bh-arts.org.uk
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Using a Grid for Complex Subjects

Lucy was our instructor for the Wednesday class and took us through the use of grids when drawing accurately. Anytime you want to draw something that requires accuracy such as a portrait, pet, vehicle, a complex still life, etc. we may wish to use the grid method.

It starts with drawing a grid of squares over the photo of the work you wish to copy. These squares can be numbered and lettered  to make it easier to follow when drawing. Next you then draw the same numbers and letters  of squares onto your drawing paper/canvas. You then

carefully copy each square from the grided photo copy onto your painting/drawing surface. Be careful at the corner of the eye and bridge of the nose as these can be tricky.

If you don’t wish to mark the photo you can always copy the grid onto clear acetate and layer it onto the photo. There are also various grid drawing assistance apps on your tablet which you can download and layover the photo to be copied.

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Brighton & Hove Arts Council Annual Exhibition

The Brighton and Hove Arts Council’s Annual Art Exhibition

Friends Meeting House
Ship Street, Brighton, BN1 1AF
10 – 13 April 2019
Wednesday – Friday • 10am – 5pm Saturday • 10am – 4pm
• Over 100 works of art by local artists • Vote for the Picture of the Year
• All art work available for sale
Participating groups include:
ADUR ART COLLECTIVE • ATTIC ART CLUB • DUPONT ART CLUB • EMBROIDERERS GUILD (BRIGHTON BRANCH) • ROTTINGDEAN ART CLUB • SEAFORD ART CLUB • SOCIETY OF CATHOLIC ARTISTS (SUSSEX REGIONAL GROUP) • SOCIETY OF SUSSEX PAINTERS, SCULPTORS AND PRINTMAKERS • ST THOMAS MORE ART GROUP
Show sponsors:
Brighton & Hove Arts Council
Registered charity No. 270293
www.bh-arts.org.uk
@BHArtsCouncil @BH_arts_council

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Watercolour Painting of Patterned Fabric

Caroline Marsland took the Wednesday Dupont class through how to watercolour paint a patterned fabric on paper. We were not painting the fabric. 

She started off by lightly drawing the general shape of the fabric lightly with pencil. She then painted in the the colour of the fabric first with all of the shadows that are in it. She layered the shadows for best effect and used tissue paper over the wet parts to show texture at times She worked away from the centre with a wet in wet technique. For the really white areas, she suggested using masking fluid. You need to exaggerate the shadows because when you put the pattern in, they will disappear somewhat. 

Once the background is dry, she said to very lightly draw in the pattern first with complex patterns  but with a simple pattern, she just paints the patters in.

Some suggestions: Remember to sqint, She painted from light to dark to light as needed. 

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Dupont Christmas Party

December 13th was the date for a joyful Christmas party with over 50 past and present members of Dupont in attendance. Many went home with purchases from our bring and buy table and we all were given a chance to vote on the  painting card which was handed in by Dupont members. As can be seen below, there were a number of impressive paintings displayed. The final favourite voted on by members was by Sandra Emery with her two field mice, who went home with a bottle of bubbly for her submission. The party ended with a huge raffle draw which is always a favourite. As can be seen in the photos, great fun was had by all. 

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Painting with Charcoal and Watercolour

On November 14th instructor Caroline Marsland did a demo on painting using charcoal and watercolour. This was done on 140 pound watercolour paper. This medium is good for moody pictures. There is usually a tinge of charcoal in the watercolour leaving a shaded picture. She used a piece of charcoal but using a charcoal pencil is fine.

Caroline started off with a drawing of the shadows in dark charcoal. She used a loose dribble runny wash for the sky. In order for this not to run into the foreground, she turned the painting upside down to prevent this while painting. Once it is dry, she overpainted it to give it a darker, more dramatic look. The foreground was painted with watercolour which blended into the black charcoal shadows.

The overall effect was a quick moody picture of moody stones.

 

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